The Sony reissues are louder than their MoFi counterparts. Besides, I said nothing about paying attention to what they said about the vinyl under review; my intention was for people to read what was said about the state of the master tapes, how the most recent mono and stereo mixes were made, etc. If you mean at the beginning I'd say that is "sympathetic vibrations" and microphone leakage. Hence the stereo (but not the mono) releases of Kind of Blue and virtually all the releases were stereo had always had those three tracks playing at slightly the wrong pitch. Thanks again Michael! Maybe theyre in your garden shed. So many people out there. The stereo versions are mixed in a similar fashion with center mixed into both left and right channels. Kind of Blue sounds about the same as the stereo CDs, because it's mixed down from the same 3-track tape (the mono masters are, by some accounts, worn out; by other accounts, missing). Nothing is sold at gun point. Either way he claimed that he hated the Sony releases. It sounds like a microphone that is being over-driven. Perfect consistent quality. Last Updated: May 30, 2021 (1A/1D promo found). Unfortunaltely everyone is issuing the same LP's and no does a review comparing them all. Sony Legacy were mono, see Michael Framer's review in Analogplanet.com. . Anyone who thinks this has never been in a proper recording session and doesn't know any real recording engineers. example of satire in a sentence 0.00 $ Cart. Good luck, L edition numrot de 2015 Dans un emballage carton bleu. Going back over the pictures of jackets accompanying mono white label promos, three fabricator codes are found: 2, 4, and 6. For a better experience, please enable JavaScript in your browser before proceeding. 2: Spirit "Spirit" is a cartridge of the central existence by the development of the vertical axis concentration method. At their web site? Mono tracks send only one channel for all speakers. There are pictures of some of the models as well. In the case of Stereo, six lacquers account for half of all the copies manufactured, none of which are single alphabetic 1A to 1L. Doesnt mean there arent others higher, just not in my sample. Milestones was manufactured through a similar process as Kind of Blue . Most but not all lacquers used to press promos (A, G,D and H) went on to be used to press the commercial release. UPDATE 12/08/19: a copy with 1F has been found, with track listing error Side 2 1D/1F with TA etching (Conn. plant). Though T has been suggested as referring to Terre Haute, it remains likely a Bridgeport pressing suggested by the label fonts. ), Forum Policies, Rules, and Terms of Service. I know that there are multiple versions of Miles Davis' Kind of Blue, there are the MFSL, the original mono and stereo LPs, the 200 gram stereo remaster, and I have listened to the album on YouTube, and 256kbps isn't doing the material justice. So, typically: XLP12345 1A, Five digit recording serial number, followed by a hyphen. My search is over trying to find the perfect pressing, sorry MOFI and Classic records. Read John Marks' account of hearing the three-track master tape at Sony Studios. Hoffman console? | Audiokarma Home Audio Stereo Discussion Forums The Music On Vinyl label turns out beautifully packaged LP reissues on high quality vinyl. I just received my RSD numbered copy today and it has the same feel as my original pressing. Arthur. http://www.analogplanet.com/content/miles-davis-kind-blue-monophonic-reissue-sonylegacy-analog-planet-exclusive. Also, I've known a few people who bought one and then later upgraded when the used-record bug started biting. And it makes sense in local marketing expertise: getting promos to their local radio station disk jockeys. Thanks Mikey. plant, C and D for Terra Haute, In. Press operators at this time have stressed that their two priorities were to ensure Side 1 and 2 were correctly matched, and that the labels were completely dry. Surely you've read enough about how it dispensed with chord changes (etc.) Stereo promos were produced from four lacquers: E, K, AC and AE. LPs deriving from a digital source should be anathema to analog purists (like myself) but the Music On Vinyl Kind of Blue sounds terrific, crisp and precise, yet never lacking in warmth or immediacy. Perhaps defective, or damaged, they were never put in service. Before the sacred tapes were returned the vaults, a copy of the 50th anniversary remastering was transferred to a high resolution digital file. No soul at all. Instead what you got were three islands joined together with added reverb. For years, I used to think it was a bad left channel speaker in my system. Again, I'm very happy with my Columbia RSD pressing. I usually like it when you're reactionary, but this seems kind of pointless. Is there some mixing advantage of putting the 3 tracks into one channel instead of two ? W.B of New York adds following correction (September 16,2017): To understand how Columbia matrix codes worked in practice, over 1,000 individual Ebay auctions of. Check out www.recordstoreday.com. Released 17 August 1959 on Columbia (catalog no. I plan on making a home brew unit soon, $600 to do it right. Even if I don't agree with an opinion, if I know the criteria for judging, I can learn from it. With copies of KoB being pressed at three or four plants, it seems likely individual plants had their own work procedures. CK 43rd; CL 44th; DA 45th; DB 46th; DC 47th; DD 48th; One visible on a photo: During 1963, the Columbia label changed from six eye to two-eye.Columbia two-eye KoB has a degree of chronology, so there are early and later two-eye. Kind of Blue - Mono vs Stereo - Head-Fi I have an original mono pressing and I was a little unsure if it was a worn record or just the horn. a bar in Copenhagen. There is no matrix-based code reason to believe a pressing off a 1BJ stamper will sound any different or better than one off an 1A stamper. Crosley tables do chew grooves, but the company doesn't forcibly place their products into anyone's hands. the site simply writes whatever their advertisers tells them to, so just follow the recommendations given by your fellow forum members. The aboveexamples of1A 1B and 1C labels (note, always1Aas Side 2) each feature the two line bold album title. I have three different versions. Controversial in some quarters, but I agree. See Promo Cover Fabricator new section below). The Crossword Solver found 30 answers to "Kind of blue", 4 letters crossword clue. A known unknown. Some of these later re-releases from later generation mothers are better than others.and you may "prefer" the slower speed of the re-mastered "corrected" versions.you may "prefer" the re-mixed (terrible) versions as welljust know that they are not 100% the original intent of the artists involved. Les enregistrements s'effectuent en deux sessions avec le sextet de Miles Davis, compos des saxophonistes John Coltrane et Julian Cannonball Adderley, des pianistes Bill Evans et Wynton . If the promos were all pressed at Bridgeport, Conn, one of the East Coast jacket manufacturer Imperial Paper Box Corp, Brooklyn (2) or Modern Album Long Island (3) would have supplied the jackets, no? Of course a major difference is stereo vs. mono. To compare with MOV versions (which are stereo) you should probably compare the Mobile Fidelity versions, which are also stereo. c. 1966 It pretty thoroughly answers your questions. These command a significant price premium at auction. p.s. Whilst Columbia pressed records through its own plants, each with its own metal parts plating Division, cover manufacture and print was handed over to specialist print and packaging manufacturers. I'm not extremely happy with the MOFI pressing that I bought recently. More drive, more punch. The 50th Anniversary issue is a pretty blue color! That, and . The masters were digitized and corrections/edits made. Can someone enlighten me as to how it works? A 1st cutting; B 2nd; C 3rd; D 4th;E 5th; F 6th; Have a look. Even *if* Macero had been involved, any changes he would have made would have been at the mix stage, not the recording stage. A further four lacquers BB, BG, AL and BH, take us up to the three-quarter mark of all stereo copies manufactured. In no special order, a handful of lacquers were selected to press white label promotional copies for distribution to reviewers and disk jockeys mono (red text label) and stereo (black text label), with the text DEMONSTRATION, and NOT FOR SALE on the label. It is a sort of rattling sound. Ended: Apr 29, 2023 , 5:16PM. It very well may have been erased and the tape re-used. Nor are they sold at gunpoint. I suspect the mono masters were damaged or very worn, and didn't meet technical standards. That is not the edition to which I am referring. This according to some grizzled veterans who did the cutting. Is there any evidence to indicate that the mono was mixed from the same 3-track tape as the stereo? I haven't had a chance to turn it up yet but it seems the instruments are further up in the mix and I could hear deeper into the background. They can't find the tapes. The record industry says, conservatively,one master lacquercangenerate at least five mothers of acceptable quality, each mothercan generate atleast five stampers, with each stamper capable of pressing around 4,000 albums. Reddit and its partners use cookies and similar technologies to provide you with a better experience. 6 Imperial Packing Co., Inc. of Indianapolis, IN when suppling West Coast pressing plant Ron Rambach and I get these comments all the time on our Blue Note reissues for Music Matters Jazz. The four variations are offset pairs eg 1D/1H and 1H/1D.With D, G and H, and each letter is found as Side 1 and Side 2. Do you know if the original issue was cut using the Columbia EQ curve? Give me a rest from dissecting records. The artist name and album title are set in Erbar Light Condensed font, used by Bridgeport and which went on to be used in label printing for Pitman. that is no longer there. Or so Conventional Wisdom suggests. Mono vs Stereo: The Complete Guide | HiFiReport.com Mono feels a bit more powerful because of the nature of mono. Unfortunately for vinyl fans, there were reportedly widespread problems with the vinyl, thanks to poor, noisy pressings. OPENING HOURS MON-THURS: 16-00 FRI-SAT: 16-02 . Both are difficult to get but worth seeking out. Though not documented as far as I have seen, Terre Haute appears to have used some sort of mother and stamper identifier a T followed by an alpha TA, TB, TC probably mother A, mother B, or mother C, then a simple hand etched line counter for the stamper identifier, shown here below: Having two or more lacquer sources, it is surprising mistakes were not made pressing a record with two Side 1s from side 1 stampers from separate laquers but this never seems to have occurred, so there is probably some other form of process control which we dont know about. Back in 1992 Wilder discovered the KOB speed anomaly that resulted in side one of the original album being slightly sharp in pitch because the 3 track recorder was running slightly slow during the recording session. You can 'see' further into the mix and hear a clear delineation of direct and echo chamber sound as well as what sounds like 30th street studio room sound. Though many different permutations eventually occured, almost half of all mono copies were pressed from only three laquers: D, J, and AE. His work can be heard on albums like The Eagle's Hotel California, Bob Dylan's Highway 61 Revisited, and Joni Mitchell . Instead, instruments were left/center/right with the two track mix folding the center channel to both the left and right channels. Steve Hoffman Your host Your Host Location: Los Angeles CA, USA Adagio said: Dylan and The Beatles were far more interested in the mono mixes because they knew that's how most fans would be listening at home and especially on the radio. The most frequently found are in, order of magnitude, AJ, AD, BC, AA, AE and AG. Lots of matrix information has been collected by record sellers and many thousands of early pressings have been auctioned. And, indeed, they are an audiophile delight. the Amazon Associates Program via amazon.com. Any recuts would be the next higher number for that plant. You might find this review informative: Now not quite so "new" to Head-Fi but not new to headphones, audio, music and especially jazz. All KoB promos are pre 11/59 (have Side 2 track-list error) with matrix code letter 1D or higher. [TR24] [OF] Miles Davis - Kind of Blue (Mono) - 1959/2013 (Jazz) ORIGINAL! The LondonJazz News Team / Contact Details, PREVIEW/ INTERVIEW: Ian Bowden, Rye Internatonal Jazz & Blues Festival, (Aug 21-25), REPORT AND PHOTOS: Gareth Williams/ Trish Clowes at the Watermill Dorking. I hate to contradict the man himself, but Flamenco Sketches is not terrible at all, Miles, in either version. . La version stro belle la vitesse dite rectifiee' Les cinq titres en version mono une decouverte pour moi. Kind of Blue was recorded in both mono and three track stereo at Columbia's 30th St Studios. Personnel: Miles Davis - trumpet, band leader. They were distributed to various plants in an arbitrary pairs,at least two laquers per plant, and those plants mixed Side 1 and Side 2 stampers from different laquers. Stereo Audio Files. Yes, hearing "stereo" was exciting for me too, but over time I've come to realize that much of what was called "stereo" was just mono channels divided between the channels. my copy says Music on Vynil launched on black friday with serial n. It's not distortion. Condition: Used. That said, they are BOTH fantastic. If the covers were merely manufactured centrally at Indianapolis and supplied to Bridgeport for the promo pressing, why is there both 4 and 2, AND 6. Fortuitously, an error was made in the track listing of the Side 2 label. Three jacket manufacture codes fits with the Columbia distributed manufacture model, and fits with there being three pairs of lacquers in use for the promo one pair to each of Columbias three plants. Now I'm bummed. I'm very happy with this pressing. Click here if you want this pressing without paying 4-20x retail (Come on now, you really should be ashamed of yourselves). I guess I'll buy the MOFI 45RPM version as well, but now fremer got me into the MONO version. the holy grail 1A/1A. cwitt1980, 2 minutes ago. Each lacquer is merely one cutting from the first master tape mix, all manufactured at the same time. This could be a quite desirable source for early pressings. Which Beatles Mono Collection? - Music in General - Audiophile Style It may not display this or other websites correctly. Two hundred fifty auction copies with good stamper information and photos of both labels were found: 200 mono and 50 stereo, reflecting the slow early uptake of new stereo phonograms in the late 1950s and early 1960s, The reason why Columbia cut so many lacquers used to puzzle me, but I see it now as a very smart system of distribution and quality control, with inexpensive redundancy built in. Lacquers used to press Kind of Bluestereo promos continued in use, except E, which joined the list of lacquers which were never used. Guess I know what I'll be treating myself to. The prime stereo tape recorder had been running just over one percent slow, so on playback and during the mastering of albums it ran a little fast. Seven of these albums - 'Round About Midnight, Miles Ahead (both 1957), Milestones (1958), Porgy And Bess, Kind Of Blue (both 1959), Sketches Of Spain (1960) and Someday My Prince Will Come (1961) - are familiar classics which saw Miles rise to prominence as an architect of the hard bop style of jazz before revolutionizing the genre with ventures G 7th; H 8th; J 9th; K 10th; L 11th;AA 12th; Kind of Blue - Rate Your Music are they all analogue process only? Whilst metal was strictly process controlled, it seems there was much greater latitude in printing, with different fonts and discretionary compositing decisions e.g.
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